Tag Archives: Ty Templeton

A New Year, New Classes!

Yes, it’s that time again…time to tell you the glories of the Toronto Cartoonists Workshop, and all it’s classes.

TCW has expanded it’s selection of children’s art classes, and there are now classes available after school, and on Saturday and Sunday. Kids’ workshops will run for nine weeks. Classes for adults run in the afternoon, late afternoon, and early evening, and will run for seven weeks.

Ty will be teaching Writing for Comics, on Monday evenings (January 10-February 21) and  Professional Layout and Storytelling for Comic Books and Graphic Novels on Tuesday evenings. Comic Book Inking:  4 Perspectives will run on Wednesday evenings, and I believe Ty will be teaching the first two classes (check with Sean Menard).

To the best of my knowledge, there are still spaces available in all TCW classes (all you savvy Christmas shoppers, saving their bucks and waiting to see what’s left after the holidays!), but they go fast this last week, so contact Sean Menard NOW! NOW! NOW! at Toronto Cartoonists Workshop and get in the class of your choice.

Ty is not the only instructor at TCW (hence that whole “4 Perspectives” idea behind the inking course!). Others, this semester, are:

the inimitable Leonard KirkCover Design and Layout, co-taught with…

Kalman Androsofszky

Scott CapleBasic and Fundamental Drawing

Eric KimManga Dojo Level I

Joseph O’Brien–Screenwriter’s Workshop:  Basic Training (Joe is fitting this class in before he goes off to watch filming of his latest screenplay, announced last year at Cannes, and produced by Guillermo del Toro. So–yes, Joe knows of what he teaches)

J. Bone–1/4th the Perspective for Comic Book Inking

Sam Agro–another 1/4th for Comic Book Inking

Craig Yeung–making a full 4 Perspectives for Comic Book Inking.

Kids’ Workshops will be taught by

Eden BachelderAcrylic Painting

Ruzya KarpinecCartooning for Kids, Flipbook Animation

Walter Dickinson (the man who founded TCW)–Drawing Rodeo

Dave Lapp–Cartooning and Illustration for Kids

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Keiren

SATURDAY MORNING CARTOONS! YAY!

It’s Saturday, and you know what that means?  You can get drunk before noon and your boss can’t complain.  Unless you work Saturdays, and you’re not a wine taster or something like that.  Regardless, Saturday mornings ALSO means it’s time for FREE WEBCOMICS from Ty the Guy.

Through rain and sleet and snow, nothing shall stay me from my appointed rounds!

—–

FOR THIS WEEK’S WEBCOMIC: GO HERE!

Now this:

I forgot to list the latest comic with my work in it last week.

AGE OF HEROES #2:  It’s out, and I’ve only got one single page story in it, written by my pal DAN (the man) SLOTT.  But if I don’t promote it, who will?  Other than the million dollar promotion machine at Marvel, I mean.

I drew a teeny bit of this. On sale now.

That’s it for today.  I’ll see you soon, perhaps tomorrow.  In the meantime, I’m off to see that TOY STORY thing.  I hear the dancing puppets are funny, and I’ll let you know how it turns out.

TY THE GUY, OUT!!

Last Week’s Bun Toon is HERE.  The first appearance of the now-world-famous EVERTT MANN: FREELANCE PROTAGONIST, as well as THE EXISTENTIAL PRIVATE EYE.  Why aren’t you clicking yet?

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SATURDAY MORNING CARTOONS

Saturday Morning arrives, and like a trusted companion, the Bun Toons is always here! Reliable, honest, hardworking, and totally free, you lucky sons of guns.

Loyalty and Trust. Like a bank or a government, right?

Today, the legend of the Canine in the Large Chapeau….the Woof Woof with the Immense Cap….the Puppy with the Giant Fedora…it’s…

When tragedy strikes, pray you’re told of the news by a really cute cartoon pooch with a sombrero like a pie plate.

And now, this:

Hey!  By the time you’re reading this,  I’ll be at the South Convention Centre building in Toronto, helping to celebrate FAN APPRECIATION weekend.  That means that I’ll be shaking hands, doing sketches, and telling stories about the comics industry that would easily get me sued.

I’ll also be presenting an award at THE JOE SHUSTER AWARDS ceremony, and (most likely) losing an award in the category I’m nominated for (best script, for my STAR TREK GRAPHIC NOVEL, Star Trek:  Mission’s End).  I’ll be crossing my fingers, and my toes, AND the Rubicon, but it won’t work.  Tomorrow, come back here for the special “I didn’t win and the whole thing is silly anyway…who needs #$)(#@$)( awards?!” rant .    Tell you what…win or not, I’ll have a special NEVER BEFORE SEEN STAR TREK artwork blog post that you’ll enjoy.  ‘Specially the Trekkies!

That’s it for today.  Keep on breathing fellow babies, and try not to spill anything all over the Gulf of Mexico, or you’ll go straight to hell.

Ty The Guy

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Saturday Morning Cartoons

Glue yourselves into your atomic fun chairs, fellow babies.  It’s before noon on a Saturday…

Ah, this time I KNEW it was the weekend.  Saw it coming for days.  And today is a fun treat for fans of Space Cows, Hoverboy, and more free webcomics than you could heave a dead raccoon at.

First off:  SPACE COWS!

Oh, I forgot to mention this to Stavros.  I’m giving Hoverboy the Space Cows one last time as we finish up our month-long Hoverboy contest.

And what IS the Hoverboy Contest?

LAST TIME!!  We’re looking for YOUR Hoverboy Memories.  Head over to the HOVERBOY FANPAGE on Facebook, or  enter here at ART LAND on BUN TOONS day.

What we need is the name of your FAVORITE Hoverboy Villain…one that we’ve never seen before online, and tomorrow we’ll be picking the winning entry.

WHAT DO THEY GET?

A stunningly accurate reproduction of the cover featuring your “remembered” villain.  The reproduction will be by Ty The Guy Templeton, and will be so accurate, you’ll SWEAR it was the original.  Head over to www.hoverboy.com for more Hoverboy fun, and over HERE to join the Hoverboy Fanpage.

Okay…and just a couple more SPACE COWS before we move on.  They’re an addiction, like raisin cookies, heroin or beating the step-kids.

It's eerie, just like it's supposed to be.

And now, the ONLY new Hoverboy story in the last thirty years, and never before seen online!  FULL AND COMPLETE in this blog!

Take yourself back to those heady days…when Gasoline cost a lot more than it did a few years before, but at least it wasn’t filling up the Gulf of Mexico -  When a white man was still able to be president, just not a particularly competent one – and when people could watch Lost, secure in the knowledge that it would all wrap up in a satisfying, and not at all, sucky sucky way.

Set the way-back machine to Bush Era Super-heroes, with…

HOVERBOY:  THE REPUBLICAN SUPERHERO  2007!

SCRIPT BY TY TEMPLETON

ART BY STEVE MOLNAR

COLOURS BY BERNIE MIREAULT

COVER BY JASON EDMISTON

LETTERS BY K T SMITH

It’s funny because it’s ghastly and frightening.

Remember to head to the FACEBOOK FAN PAGE, or hit the COMMENTS BUTTON at the end of the post to give us your HOVERBOY memories before tomorrow night.  The more the merrier, and the original art ain’t gonna give itself away.  Our next Hoverboy contest is just going to be these cheap crappy decoder rings from the 1940s!  Wait, seriously?!?

THOSE THINGS ARE AWESOME!

Ty the Guy

Hoverboy |

Ty Templeton |

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New Pages More Again Extra Redux

Here’s the rest of the pages which Ty scanned for this week…

The Maxwell Lord pages are $50/USD; Amanda Waller pages are $100/USD. All pages are pencilled by Ty Templeton, inked by Joe Rubinstein.

(If you’re interested in purchasing a page, check out pricing and shipping info, then email us at: tytempletonart@gmail.com.)

Justice League International, Issue 24, page 10

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Justice League International, Issue 24, page 13

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Justice League International, Issue 24, page 14

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Justice League International, Issue 24, page 15

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Justice League International, Issue 27, page 17

Keiren


New Comics Day

So, it’s Wednesday…didja get your copy of Marvel Comics, Age of Heroes #1? Kurt Busiek, Dan Slott, Leonard Kirk–just to name a few…oh, yeah, and some guy named Ty Templeton drew a Dan Slott-written one-pager. If you don’t have it in your hands now, run, run, RUN! to your nearest comic store and get one NOW!

Why are you still here? RUN, damn it!

Keiren

It’s HOVERBOY week! And no one can stop me!

We’re promoting Hoverboy awareness all week at Art Land, running a contest and informing the world of the greatness that was the Battlin’ Bucket, in anticipation of the release of the HOVERBOY RADIO SERIES we just found a complete set of, and yes, this is an unforgivable run-on sentence, what are you going to do about it, punk?

May-1918 • Hoverboy co-creator Charles Nutt’s father, Peter Nutt, is horribly wounded during the Battle Of Cantigny, the first major US offensive of the

Pvt. Peter Nutt, pictured before the battle. Trousers not shown.

First World War.  The elder Nutt had tried to stay out of the war; claiming heart attacks, blindness, medical cowardice, “secret negroism” and leprosy, none of which earned him the deferment he desired.   Peter spent the fall of 1917,  training with the 28th Infantry of America’s 1st Army Division, and staining a record one hundred and eleven pairs of government issued trousers with what officials described as “terror”.  In battle, Private 1st Class Nutt frequently could be found  with a bucket on his head, (over his helmet and gas mask), because, according to his diaries,  “…ya can’t be too careful, right?”.  And on the fateful day of May 27th, that’s how Private Nutt went over the top, charging towards the Hun blindly, and “screaming like a tiny Chinese woman” (also according to his diary).  When he was hit simultaneously by two artillery shells, it blew off both legs, both arms and almost all of his internal organs, leaving only his head, heart, lungs and genitalia unharmed.  This event was the source of the famous expression “a real bucket case” used in army hospitals to this day.  For years after the war, Nutt toured the Midwest Freak Circuit as “the Amazing Head”, where he met a young Cynthia Göring, and fell in love.  That marriage produced three children, including Charles and his twin sisters, Emily and Emily.

The Starks meet for the first time while the Circus tours Missouri. Cynthia is to the left. Peter is wearing his "performin' suit".

In 1929, the family opened the Nutt Hardware Store in North Bend Missouri, where a young Bob Stark was sent to purchase “something to hold some water” and the rest is history.

The moment of Nutt's debilitating injury was captured in the famous image by photographer Dan Williams, entitled "Our Honored Exploded".

1964 • First (and last) issue of HOVERBOY’S FOOD FUN MAGAZINE hits newsstands.  For collectors who own this hard to find item, answer to page seven’s “Vegetable Tumble” is RUTABAGA.

Caution: Do NOT attempt any of the recipes contained within.

1990 • Hoverboy Anime show “Lucky Hovering Float Boy American” airs in Japan.  Though partly financed by the Nutt estate, the show is never brought to US airwaves because the staccato animation style used during fight scenes caused seizures in forty-seven thousand Japanese children.  Though none of the children died, over nine thousand parents were killed trying to restrain them.

Sailor Hover-Girlaru. The only image from the series allowed to be shown in the USA by law.

Tune in tomorrow for a special HOVERBOY TOYS report.

And don’t forget:  THE HOVERBOY CONTEST!  Win an original piece of Hoverboy artwork by Ty Templeton just by joining the Hoverboy Facebook page, and naming your favorite villain from Vigilance Comics’ decades long history of publishing.  A winner (drawn by lottery by Hoverboy actress Sarah Samms) will receive an ASTOUNDINGLY accurate reproduction of the winning cover, with such line-by-line fidelity that you’d swear it was the original cover!  Be the envy of your friends.  Push around people smaller than you, and berate those with foreign accents, just like a real life citizen of Arizona!  Remember, few will enter, even fewer will win.  Void where prohibited.  Your mileage may vary.

GO here

for the Hoverboy Facebook Fan Page.  And HERE for the Hoverboy home site.

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Saturday Morning Cartoons! Free Webcomics!

How does it get to be Saturday earlier every week?  I suspect the Mayans are involved, they’ve been messing with the calendars for centuries.

Well, here you go,  you hungry webcomic consumers, once again, it’s time for….

When last we saw STAVROS and LANA, they were stuck in a dungeon, awaiting execution…OR WORSE!!

For more ROUND-UP adventures, click the navi-button up top, or go here.

Now– the FIRST of these webcomics…uploaded about six months ago, before I had any idea how to do a blog, and I think only eleven people originally read it.  So I’m adding it again, now that we have a thirty-nine regular readers.  For those who read it before — I’m terribly sorry for the inconvenience.  Oh wait, this is a free webcomic.  What do I care about your feelings?

—-

Wow.  It seems so long ago that I first posted that–a crazy world where Obama had only been president for a little under a year, and American Idol was still in auditions, instead of in elimination rounds.  Such a happier, more innocent time…

See you next week, with MUCH more blogging than lately.  (I’ve been doing that “work” thing lately, and “paying the bills” and stuff. That’s getting caught up, so I can come back here and play more!)  And if you missed the strangest thing that happened to me in a decade, (where I discover my father is Satan, and once drove the moon out of orbit…) scroll down, or click here.

TY THE GUY

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Hoverboy Friday! On a FRIDAY!

It’s been a couple of weeks since Hoverboy Friday came near a Friday, and this is a good one, Bucket Brethren and Sistren.

The big news is that a retired animator/producer for Vigilance Pictures by the name of Santos McMillan has contacted me with a mountain of new Hoverboy video material to put on the Hoverboy website.  This includes a full episode from the HOVERBOY TO THE MOON series from 1961, part of an episode from the never aired Heroteam series from 1976, and a WHOLE SEASON’S worth of episodes from Hoverboy’s 80s epic kid’s series: GOD FEARING PUPPET TOWN!   I’ll try to get the videos up on youtube later this week, and link to them, but for now I can show off some of the stills and jpgs he sent along with the package.

First up, this is one of the few surviving style sheets from the aborted 70s show “HEROTEAM”, only featuring Hoverboy this time.  Santos had promised me the style sheets for SLAPMAN, DANNY BANNON: THE PANTSLESS DETECTIVEGOLDEN PLUMB and FEMININJA….he says he can’t find them yet, but not to give up hope.

For the life of me, I don’t know what M.R.M. means in the info box.  Any animators out there who can fill me in?

Hero Team, as Hoverboy fans should recall, was the series intended for CBS’s SATURDAY FUN ZONE in 1976, but was canceled when a highly inebriated Bob Stark threw up a meal of chili and vodka all over the desk of CBS producer Yasha Ezrin.  “I was willing to work with Stark,” Ezrin recalled in a VARIETY interview of that year, “But his constant drunkeness caused friction at meetings.  He would shout ‘NIXON WAS A SAINT!’ at odd times, or beg my daughter to remove her top.  That sort of thing.  It wasn’t a problem for me, really, but my custodial staff refused to clean up after him, and they went on strike.  I have limits to what I’ll put with in this business we call show, but a desk covered in chili and vodka that went uncleaned for eight days was the end of my rope.  It’s too bad, too, as hundreds of talented people had put in months of work to make it happen.”

Forgive the quality, this is a screen grab from an old video tape.

I’ve tried to clean up these images from the video I was sent, but don’t really work with video filters as much as I should, so I’m flying blind.

These are screen grabs from HOVERBOY TO THE MOON, the six episode cartoon series produced in 1961 in the SYNCRO-VOX technique first popularized by CLUTCH CARGO.  Basically, that meant that instead of animated lips, actors would supply the lip movement that went with the dialog.  There were meant to be more than the six episodes, but CAMBRIA PRODUCTIONS (the owners of Clutch Cargo) sued Vigilance for using their technique.

These are supposed to be my lips? They don't look right!

Now, obviously, you can’t own a technique of making cartoons, but Nolan Bridge, producer at Vigilance at the time, didn’t know that, and took his series off the air, rather than face yet another lawsuit.  (Vigilance was still paying off the damages on 18 wrongful death claims from the infamous “Day the Cartoonists Died” incident wherein weaponized anthrax toxins were accidentally mixed with the printing ink on paychecks sent out to Vigilance cartooning staff the year before. )

The syncro-vox idea was originally suggested because Hoverboy had no lips, and everyone figured it was a no brainer to animate him.  But the scripts for the first six episodes (which centered around supplying blankets covered in weaponized anthrax toxin to the moon men to get them off “AMERICA’S PLANET’) featured so many lines for the  moon men, and of course, Jimmy and Gleep the Monkey, that the cost cutting measure didn’t work, and folding when the lawsuit showed up was probably more of a blessing than a problem.

Sure, HE has no lips, but there are fifty-eight distinct characters in the story who do.

I don’t have any screengrabs of GOD FEARING PUPPET TOWN beyond this often seen promotional still, but it’s only a matter of me learning how to upload and embed this stuff before you’ll be watching the whole season.

Hey boys and girls.  Sesame Street is for COMMIES!  Pass it on.

Hey boys and girls. Sesame Street is filled with Commies. Pass it on.

God Fearing Puppet Town was a short-lived spin off of Sesame Street that aired only in Arizona and Utah during the early eighties.  The series was created as a response to what the producers called “an emphasis on colored people and socialist values” on Sesame Street, that simply didn’t sit well with viewers in Arizona and Utah.   The 22 fifteen minute episodes followed Hoverboy as he tried to understand bible verses and the prophecies of revelations, and how it all related to modern life in Utah.  Though it was a big hit for the year it was on the air, it was finally removed by the FCC who cited “clear elements of race baiting, religious intolerance, and puppet nudity” in almost all the episodes.  The story of Sodom and Gomorrah was returned to in almost every episode, and constantly referred to as “Hoverboy’s favorite part of the bible.”

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HOVERBOY COMIC STRIPS

For those who have been following the Hoverboy reprints of NAZI ROBOTS OF FUTURE PAST, here are the latest episodes…

That’s it for today.  Scroll down for the KICK ASS CREATORS article all you kids are looking for.  And don’t forget:  Tomorrow is free webcomics, featuring the THIRD chapter of the ever-exciting LAST ROUNDUP ON THE SINISTER SPACECRAFT OF FORBIDDEN LOVE!

Ty the Guy

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PS:  I almost forgot.  The best issue of Bongo’s SIMPSONS comics to hit the stands in nearly four weeks is finally out!  And as a special bonus, there’s a possible chance of winning eleven million dollars if you buy the issue and find a special lottery ticket inside.

How can one comic be so funny?

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The Top Seven Comics Creators who can KICK YOUR ASS

Oooh...tough guys!

Last week saw the release of KICK-ASS a promising Comic Book Movie with a tepid box office on opening weekend.  Industry types were somewhat surprised, as the title and premise suggested a bigger response, but those of us in the know expected it.  You can’t fake KICK-ASS, it has to be in your blood, your pores and in your gonads, my friends, or the audience knows.

As much as I admire the work of Mark Millar and John Romita Jr, the creators of this epic story, I simply cannot in good conscious call them KICK-ASS examples of the male species.  While Millar is British, and therefore has soccer hooliganism in his DNA, Mr. Romita is an average-sized man, with straight teeth and no criminal record to speak of.   I’d feel fairly confident facing either of them in a bar fight, and I’m willing to go in sober and unarmed.

But the world of comics DOES include some of the most stunningly macho examples of man-flesh in the history of the visual arts, and you should know about them, if only to avoid their supremely terrifying gaze if they appear at conventions.

Be afraid fanboys, of—

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THE TOP SEVEN COMIC CREATORS WHO COULD LITERALLY KICK YOUR ASS.

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#7

Ken Lashley

No, he's not standing on a box. Everyone else is just that small.

Currently illustrating The Flash.

You know that scene in Jurassic Park where the water is jiggling in the cups, so you know there’s a giant dinosaur coming?  That’s based on Ken Lashley.

Ken is the largest human in the comic industry, if not in western civilization.  At seven foot nine, eight hundred and sixty pounds (and none of it fat), the only reason he doesn’t play professional football is that “it wouldn’t be fair to the other players”.  I’m big, but whenever I’m in a room with Ken, he makes me feel like a skinny schoolgirl in knee high socks, with a Hello Kitty backpack.  Seriously.

He happens to be a pleasant, quiet, somewhat reserved individual, however, which is a disappointment to lovers of ass-kicking manly misbehavior the world over.  I never thought it was part of Ken’s character to be aggressive — until I saw his cover for Excalibur #73

This is the single most testosterone-fueled drawing I’ve ever seen.  It’s an existential scream of pure maleness rarely witnessed outside of Heavy Metal Gay Snuff-porn.  This image of a blue-balled demon radiating nuclear energy from his dick while magnetically attracting the red lady, makes anyone viewing it more manly by 25% — including any girls.  And AFTER seeing this illustration, if any of you go out and kick someone’s ass, Ken Lashley officially gets the assist.

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#6

Charles Moulton (aka Dr. William Moulton Marston).

We had no idea what this man was up to...

This Y-chromosome-soaked head-shrinker helped create three amazing

The good doctor knew that real men liked this sort of thing. And real women.

legacies for himself in the 20th Century.  One was the polygraph machine (the Lie Detector) which has done more to fight crime than a squad room full of cops on a lifetime steroid binge–another was the fictional queen of lesbo bondage adventure, Wonder Woman.

But Dr. Will got his high testosterone scores in a much more impressive way.   He was in an openly poly-amorous relationship with two ladies his entire life–  had kids with both women– and the one he WASN’T legally married to, was the one he based Wonder Woman on.  Anyone who could keep TWO sexy bisexual fetish-doms happy for a lifetime of tied-up joy had to be producing twice the man-sauce you and I were issued at birth and could easily pound our weak asses into the sand without breaking a sweat.   Trust me.

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#5

Jim Steranko

This Nick Fury artist had a comic career that was finished and done forty-five years ago — it lasted for maybe four months — and he’s STILL considered one of the most influential artists who ever worked.  The balls it takes to be THAT good at something and walk away from it is impressive enough, but it’s par for the course for the Most Interesting Man in Comics.  Let’s take a look at a recent photo of this senior citizen to give you a sense of his essence.

"Last week I punched that Dos Equus guy in the face, just to win a five dollar bet."

Steranko was born tough. Instead of spending his youth PLAYING Grand Theft Auto on his mommy’s couch with his brother’s game system, Teen-Steranko stole actual cars, and occasionally got arrested for it.  That experience in the lock-up inspired him to become a circus escape artist, where laughing at thick, manly chains is in the job description.

But even this wasn’t enough for Jim (Grand Cojones) Steranko, who permanently moved into the he-man badass club-for-life when he became a professional sword swallower and FIRE-EATER.

You read that right, bitches. I can literally breathe fire.

Now you know why Steranko could write the adventures of spy-stud Nick Fury with such authority, and why he insisted on calling Nick the “ramrod” of SHIELD.

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#4

Jack (King) Kirby

Who, but an authentic tough guy, could rock this plaid dinner jacket?

We all know that Kirby was THE hardest working man in the history of comics who could write and draw an entire comic book in five days, and it would STILL be better than the one that took you three months.    But besides being an authentic artistic genius, Jolly Jack was an authentic war hero of epic proportion.

MANLY MOMENT #1: When he found out he was going to be drafted, Kirby didn’t go get drunk and beg the local girls for a “shipping-out-tomorrow” roll in the hay…instead he WORKED TWICE AS MANY HOURS PER DAY to double his already astounding output, and stockpile enough pages to continuing publishing his titles without missing an issue while he personally punched out the Nazi war machine.

MANLY MOMENT #2: While sleeping in an infantry foxhole in the winter of ’44 Kirby got frostbite, and was shipped to a hospital where a doctor wanted to take his legs.  Jack said no, and just to show off, he forced the circulation back into his limbs by power of his own male  will.

MANLY MOMENT #3: When a commanding officer discovered Kirby could draw, he started sending Jack out ALONE at night to sketch the terrain and draw maps of enemy territory.   Kirby went behind enemy lines armed with a pencil and paper.  Eat that, pussies.

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#3

Mike Grell

Nothing manly to see here. Move along.

“Iron” Mike has so much more going for him than being the creator of THE WARLORD (who is that half-naked dude with a giant helmet and a big broadsword who ISN’T Conan).  To begin with, anyone who’s named after a foundry metal without a trace of irony is already tougher than anyone you’ve ever met.

But Grell gets his he-man cred the old fashioned way. He’s the Ted Nugent of comics — a big game hunter who delights in personally killing and eating the larger creatures of our world, often with no more than an arrow, a knife and his own teeth.  Though I don’t share his love of blood sports, I do share his carnivorous taste buds, and while having lunch with him at a convention a while ago, I brought it up.  He told me that he refuses to eat any creature unless he’s already killed at least one of their species.  “I’ve cut the throats of chickens, ducks, geese…I’ve butchered my own cow.  I feel I owe it to the meals I eat,” he said to me, with an expression I refuse to describe as “Lecter-like”.  I can’t argue with the logic, but I told him it meant he could never enjoy a crocodile steak or shark-fin soup — two meals I have tasted in my travels.  His response, I swear to god:  “I haven’t eaten shark fin soup….yet.”

If this thing in front of me was alive, I'd have eaten it by now.

Brrrr.

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#2

Bill Mauldin

As the creator of the extremely popular WWII comic series, “Willie and Joe”, Bill Mauldin was the first, last and only cartoonist whose job required him TO BE SHOT AT TO MEET DEADLINES.

Bill Mauldin: He don't look like much, do he?

While with the 45th Infantry, Bill was part of the invasion of Sicily, sketching cartoons about frontline life for “The 45th Division News”, in between dodging live rounds.   These cartoons became popular enough that Bill was transferred to Stars and Stripes for the duration and told to produce the adventures of Willie and Joe as a matter of vital national need.   Any man with a normal set of testes would have hopped a jeep for the rear and started sharpening pencils, gleeful to be out of danger, but not Bill.  Instead he asked for his own jeep, and spent the rest of the war DRIVING AROUND THE FRONT LINES looking for ideas.  And just to prove he wasn’t kidding around, in September of 1943, he had his drawing shoulder ripped apart by a German mortar while visiting a machine gun crew near Monte Cassino.  True to his granite-testicled manner, Bill used it as an opportunity to do a few cartoons about life in an army hospital and kept right on going.

MIND-BOGGLING MAN POINTS: General George Patton once threatened to court martial Mauldin for gross insubordination, but the cartoonist was rescued from discipline by none other than Supreme Allied Commander and future President, Dwight Eisenhower, who told Patton that Mauldin’s characters were essential for troop morale and to “leave him alone”.   Next time you get in trouble, wait and see if the MOST POWERFUL MAN ON THE PLANET shows up to have your back…

I'm not afraid of Nazis, but Bill Mauldin scared me yellow.

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#1

Larry Hama

Don't sneak up on this guy if you value your life.

Whatever those Nancies at Hasbro might think about inventing the famous American action figure with the Kung Fu grip, Larry Hama created GI Joe for a generation of fans, and knows more about macho conflict-fiction than anyone alive.  And lest you think his world of big guns and phallic-named characters was only the product of Larry’s wimpy imagination, you should know this:   Hama is an eighth-degree black belt in five different martial arts.  I don’t know what that eighth-degree means, because every time I ask about it, someone kicks my ass, but I figure being ANY black belt qualifies Larry to obliterate me with one hand.

And just in case Larry has to kill you from a distance, he’s a qualified marksman and weapons expert from his time in Viet Nam serving in the Army Corps of Engineers during the war.

And if that list of impressive man points hasn’t dropped you to your knees in supplication–Hama’s specialty in the Corps?

Demolition and explosives.

Fiery explosions and certain death. Larry Hama must be nearby.

So naturally, the single most goddamned dangerous man in the history of our medium ended up the editor of Wonder Woman comics.

He owed it to Dr. Moulton.

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That’s it for today.  My delicate, lily white ass cannot stand sitting for so long.  I have to lie down.

Ty the Guy

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