Tag Archives: Jim Steranko

Even More Of This Bun Toons! YAY!

FINGER TOONSHoo boy, did we see a lot of traffic this week.

My comic strip about Batman, Bill Finger and “what might have been”  viraled up more than any other Bun Toon I’ve done.  It was forwarded on facebook, touted on tumbler, tweeted and redditted, scrawled under the overpass in the bad side of town, chatted about at the important parties, passed along in secret codes to the people who needed to know, and talked about  amongst the un-contacted rainforest tribes in  New Guinea.

If you haven’t read it…here it is…

Click here and jump on a bandwagon!

Click here and jump on a bandwagon!

First –let’s get this straight:  I didn’t do it to bitch slap Bob Kane.  

That’s Steranko’s job.

And I didn’t do it as some anti-corporate comment about work-for-hire contracts, as it has nothing whatsoever to do with any or that.

I did it as a little plea for some attention on Bill Finger’s 100th Birthday (rapidly coming up on Feb. 8th of this year!).  My friend Marc Tyler Nobleman had this idea that Bill Finger deserved a Google-Doodle to mark the occasion, since Bill more-or-less/we-can’t-say-it-LEGALLY/no-one-really-argues-it-though, created most of what we know of as Batman an Robin, but his name almost never comes up around any of the movies, comics, books and TV shows that feature his characters….and Marc thought a Google Doodle would be a good way to celebrate Mr. Finger’s Dynamic Duo of contributions to 20th Century Pop Culture  (putting aside for a moment that Bill Finger also co-created Green Lantern and Joker and Catwoman, etc.)

Nothing catches on as a grass-roots movement unless there’s a mess of bumper sticker catchphrases summing up the complexity of the concept into worthless bite-size ideas chunks.  With that in mind, I give you the following images that you can right-click and use for your own facebook-tumblr-twitter worlds.  Help get the word out on Bill’s Hundredth Birthday, and our campaign to get him a google doodle.  

I’m tired of hearing that Bill Finger was the “unsung” hero of Batman.

Let’s  get him SUNG.

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right click any image and put it on social media today!

GOOGLE GIVE US THE FINGERo

PULL HIS FINGERo

My wife didn't care for this one...

My wife didn’t care for this one…

This might work on Spider-Man fans...every bit helps.

This might work on Spider-Man fans…every bit helps.

Clearly I've run out of ideas...

Clearly I’ve run out of ideas…

This is the week to campaign…the birthday’s only a couple of weeks away.

Ty The Guy OUT!

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finger batman logo

For many other Bun Toons past, some of which involve Batman, and many of which involve rabbits...click the archive here

For many other Bun Toons past, some of which involve Batman, and many of which involve rabbits…click the archive here

BILL WRITES A LETTERo

The Top Seven Comics Creators who can KICK YOUR ASS

Oooh...tough guys!

Last week saw the release of KICK-ASS a promising Comic Book Movie with a tepid box office on opening weekend.  Industry types were somewhat surprised, as the title and premise suggested a bigger response, but those of us in the know expected it.  You can’t fake KICK-ASS, it has to be in your blood, your pores and in your gonads, my friends, or the audience knows.

As much as I admire the work of Mark Millar and John Romita Jr, the creators of this epic story, I simply cannot in good conscious call them KICK-ASS examples of the male species.  While Millar is British, and therefore has soccer hooliganism in his DNA, Mr. Romita is an average-sized man, with straight teeth and no criminal record to speak of.   I’d feel fairly confident facing either of them in a bar fight, and I’m willing to go in sober and unarmed.

But the world of comics DOES include some of the most stunningly macho examples of man-flesh in the history of the visual arts, and you should know about them, if only to avoid their supremely terrifying gaze if they appear at conventions.

Be afraid fanboys, of—

9

THE TOP SEVEN COMIC CREATORS WHO COULD LITERALLY KICK YOUR ASS.

8

#7

Ken Lashley

No, he's not standing on a box. Everyone else is just that small.

Currently illustrating The Flash.

You know that scene in Jurassic Park where the water is jiggling in the cups, so you know there’s a giant dinosaur coming?  That’s based on Ken Lashley.

Ken is the largest human in the comic industry, if not in western civilization.  At seven foot nine, eight hundred and sixty pounds (and none of it fat), the only reason he doesn’t play professional football is that “it wouldn’t be fair to the other players”.  I’m big, but whenever I’m in a room with Ken, he makes me feel like a skinny schoolgirl in knee high socks, with a Hello Kitty backpack.  Seriously.

He happens to be a pleasant, quiet, somewhat reserved individual, however, which is a disappointment to lovers of ass-kicking manly misbehavior the world over.  I never thought it was part of Ken’s character to be aggressive — until I saw his cover for Excalibur #73

This is the single most testosterone-fueled drawing I’ve ever seen.  It’s an existential scream of pure maleness rarely witnessed outside of Heavy Metal Gay Snuff-porn.  This image of a blue-balled demon radiating nuclear energy from his dick while magnetically attracting the red lady, makes anyone viewing it more manly by 25% — including any girls.  And AFTER seeing this illustration, if any of you go out and kick someone’s ass, Ken Lashley officially gets the assist.

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#6

Charles Moulton (aka Dr. William Moulton Marston).

We had no idea what this man was up to...

This Y-chromosome-soaked head-shrinker helped create three amazing

The good doctor knew that real men liked this sort of thing. And real women.

legacies for himself in the 20th Century.  One was the polygraph machine (the Lie Detector) which has done more to fight crime than a squad room full of cops on a lifetime steroid binge–another was the fictional queen of lesbo bondage adventure, Wonder Woman.

But Dr. Will got his high testosterone scores in a much more impressive way.   He was in an openly poly-amorous relationship with two ladies his entire life–  had kids with both women– and the one he WASN’T legally married to, was the one he based Wonder Woman on.  Anyone who could keep TWO sexy bisexual fetish-doms happy for a lifetime of tied-up joy had to be producing twice the man-sauce you and I were issued at birth and could easily pound our weak asses into the sand without breaking a sweat.   Trust me.

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#5

Jim Steranko

This Nick Fury artist had a comic career that was finished and done forty-five years ago — it lasted for maybe four months — and he’s STILL considered one of the most influential artists who ever worked.  The balls it takes to be THAT good at something and walk away from it is impressive enough, but it’s par for the course for the Most Interesting Man in Comics.  Let’s take a look at a recent photo of this senior citizen to give you a sense of his essence.

"Last week I punched that Dos Equus guy in the face, just to win a five dollar bet."

Steranko was born tough. Instead of spending his youth PLAYING Grand Theft Auto on his mommy’s couch with his brother’s game system, Teen-Steranko stole actual cars, and occasionally got arrested for it.  That experience in the lock-up inspired him to become a circus escape artist, where laughing at thick, manly chains is in the job description.

But even this wasn’t enough for Jim (Grand Cojones) Steranko, who permanently moved into the he-man badass club-for-life when he became a professional sword swallower and FIRE-EATER.

You read that right, bitches. I can literally breathe fire.

Now you know why Steranko could write the adventures of spy-stud Nick Fury with such authority, and why he insisted on calling Nick the “ramrod” of SHIELD.

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#4

Jack (King) Kirby

Who, but an authentic tough guy, could rock this plaid dinner jacket?

We all know that Kirby was THE hardest working man in the history of comics who could write and draw an entire comic book in five days, and it would STILL be better than the one that took you three months.    But besides being an authentic artistic genius, Jolly Jack was an authentic war hero of epic proportion.

MANLY MOMENT #1: When he found out he was going to be drafted, Kirby didn’t go get drunk and beg the local girls for a “shipping-out-tomorrow” roll in the hay…instead he WORKED TWICE AS MANY HOURS PER DAY to double his already astounding output, and stockpile enough pages to continuing publishing his titles without missing an issue while he personally punched out the Nazi war machine.

MANLY MOMENT #2: While sleeping in an infantry foxhole in the winter of ’44 Kirby got frostbite, and was shipped to a hospital where a doctor wanted to take his legs.  Jack said no, and just to show off, he forced the circulation back into his limbs by power of his own male  will.

MANLY MOMENT #3: When a commanding officer discovered Kirby could draw, he started sending Jack out ALONE at night to sketch the terrain and draw maps of enemy territory.   Kirby went behind enemy lines armed with a pencil and paper.  Eat that, pussies.

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#3

Mike Grell

Nothing manly to see here. Move along.

“Iron” Mike has so much more going for him than being the creator of THE WARLORD (who is that half-naked dude with a giant helmet and a big broadsword who ISN’T Conan).  To begin with, anyone who’s named after a foundry metal without a trace of irony is already tougher than anyone you’ve ever met.

But Grell gets his he-man cred the old fashioned way. He’s the Ted Nugent of comics — a big game hunter who delights in personally killing and eating the larger creatures of our world, often with no more than an arrow, a knife and his own teeth.  Though I don’t share his love of blood sports, I do share his carnivorous taste buds, and while having lunch with him at a convention a while ago, I brought it up.  He told me that he refuses to eat any creature unless he’s already killed at least one of their species.  “I’ve cut the throats of chickens, ducks, geese…I’ve butchered my own cow.  I feel I owe it to the meals I eat,” he said to me, with an expression I refuse to describe as “Lecter-like”.  I can’t argue with the logic, but I told him it meant he could never enjoy a crocodile steak or shark-fin soup — two meals I have tasted in my travels.  His response, I swear to god:  “I haven’t eaten shark fin soup….yet.”

If this thing in front of me was alive, I'd have eaten it by now.

Brrrr.

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#2

Bill Mauldin

As the creator of the extremely popular WWII comic series, “Willie and Joe”, Bill Mauldin was the first, last and only cartoonist whose job required him TO BE SHOT AT TO MEET DEADLINES.

Bill Mauldin: He don't look like much, do he?

While with the 45th Infantry, Bill was part of the invasion of Sicily, sketching cartoons about frontline life for “The 45th Division News”, in between dodging live rounds.   These cartoons became popular enough that Bill was transferred to Stars and Stripes for the duration and told to produce the adventures of Willie and Joe as a matter of vital national need.   Any man with a normal set of testes would have hopped a jeep for the rear and started sharpening pencils, gleeful to be out of danger, but not Bill.  Instead he asked for his own jeep, and spent the rest of the war DRIVING AROUND THE FRONT LINES looking for ideas.  And just to prove he wasn’t kidding around, in September of 1943, he had his drawing shoulder ripped apart by a German mortar while visiting a machine gun crew near Monte Cassino.  True to his granite-testicled manner, Bill used it as an opportunity to do a few cartoons about life in an army hospital and kept right on going.

MIND-BOGGLING MAN POINTS: General George Patton once threatened to court martial Mauldin for gross insubordination, but the cartoonist was rescued from discipline by none other than Supreme Allied Commander and future President, Dwight Eisenhower, who told Patton that Mauldin’s characters were essential for troop morale and to “leave him alone”.   Next time you get in trouble, wait and see if the MOST POWERFUL MAN ON THE PLANET shows up to have your back…

I'm not afraid of Nazis, but Bill Mauldin scared me yellow.

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#1

Larry Hama

Don't sneak up on this guy if you value your life.

Whatever those Nancies at Hasbro might think about inventing the famous American action figure with the Kung Fu grip, Larry Hama created GI Joe for a generation of fans, and knows more about macho conflict-fiction than anyone alive.  And lest you think his world of big guns and phallic-named characters was only the product of Larry’s wimpy imagination, you should know this:   Hama is an eighth-degree black belt in five different martial arts.  I don’t know what that eighth-degree means, because every time I ask about it, someone kicks my ass, but I figure being ANY black belt qualifies Larry to obliterate me with one hand.

And just in case Larry has to kill you from a distance, he’s a qualified marksman and weapons expert from his time in Viet Nam serving in the Army Corps of Engineers during the war.

And if that list of impressive man points hasn’t dropped you to your knees in supplication–Hama’s specialty in the Corps?

Demolition and explosives.

Fiery explosions and certain death. Larry Hama must be nearby.

So naturally, the single most goddamned dangerous man in the history of our medium ended up the editor of Wonder Woman comics.

He owed it to Dr. Moulton.

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That’s it for today.  My delicate, lily white ass cannot stand sitting for so long.  I have to lie down.

Ty the Guy

click here for more of Ty’s Top Seven lists

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Hoverboy-Friday on SUNDAY! CURSES!!

Once more, knee-deep into the land of Hoverboy we go, fellow inter-tube travelers, and this time, we’re exploring the wonderful world of the infamous “HOVERBOY CURSE”.

Most fans of The Battling Bucket know that co-creator Bob Stark ran down both his dog and his gardener the day after he created Hoverboy, in an accident the police dismissed as “hi-jinx” in their official report.  But the death of his beloved dog Skippy, and his casual acquaintance, Carlos the groundskeeper, would haunt Stark for the rest of his life.   Often, Stark would wander to the end of his driveway on Stonebrook Terrace and stare intently at the trees found there, where he would then start to whistle violently, calling for either the dog to come “do his business” or the gardener to “Trim these damn shrubs!”.   These episodes increased as the creator got older.

Some consider this tragic car accident the official start of the curse.  Others cite the meteor strike that killed Stark’s parents the week later.  Certainly the meteor strike was more memorable, singling Stark’s family out so specifically from the  crowd like that at the baseball game.  Either way, from that month  forward, and until his death at the hands of overzealous mall security officers in 1982,  Bob Stark’s life and the life of his creation, Hoverboy, were surrounded by mysterious and bizarre tragedies with a frightening regularity.

As this is the fiftieth anniversary of “The Day the India Ink Died”, when most of the staff of Vigilance Comics was killed by a dose of weapons grade botulism toxin that was accidentally spilled into the machine that wrote out the company cheques, I thought I’d focus on the curse and the cartoonists.   (Steve Ditko, the only survivor of the famous Vigilance disaster, had refused to cash his cheque for Hoverboy #37 that month, as he claimed later it was “against the higher laws” to do touch money throughout all of February.  Famously, when Ditko co-created Spider-Man with Stan Lee two years later, he would insist on being paid entirely in trousers and butter.)

The twenty eight cartoonists who died on February 13th, 1960 were not the only Vigilance artists to die mysteriously.  In fact, the regularity with which these poor ink stained souls would pass away was so frequent, that amongst working illustrators, a Hoverboy job was known as “taking the last gig”.   So great was the fear of the curse, that creators such as Kirby, Adams, Steranko and Toth stayed away from Hoverboy throughout their lives.  Lucky for us they did avoid the curse, and got to spend long years working at their craft.  Well, except for Steranko, the lazy bum.

At any rate, let us now pay tribute to some of the other unlucky craftsmen who “took the last gig”.  This is but a partial sampling of the many Hoverboy artists and writers who died of suspicious circumstances.  The loss to the golden and silver age of comics cannot be calculated, but some experts estimate it at around eight thousand dollars in unpublished art.

Ask not for whom the bell tolls, it tolled for these guys…but good.

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Ty the Guy