Joan Hilty might have a reason to be Bitter Girl.

Ah , the restructuring at DC continues, and it’s hit at a couple of my peeps , downsizing DC mainstay Joan Hilty this week (creator of the comic strip BITTER GIRL, if you didn’t get the reference in the title).

Editor Joan becomes freelancer Joan!

Joan and I worked together a few times, and made some great comics while we did, so I’d like to give her a proper send -off with a quick Top Seven list.  Here now, the Top Seven books Joan Hilty edited while at the home of the Bat and the Cape.

7.  Flash

Waid is back. Acuna is off and running!

– Everything about this run of the Flash was delightful. The creative team, the covers, the plots, the whole feel of it all.  When it ALL feels right, you know there’s a hand on the wheel, steering.

6.  Flinch

Beautiful and creepy. The comic equivilant of a peanut butter cup.

– a daring, fun run of creativity.  Joan does the thankless job of editing an anthology with lovely results every damn time.  The line up of talent was stunning.  Go find ‘em and read em.

4. Steve Gerber’s Hard Time

Brilliant, and no ducks, whatsoever.

– unquestionably the best of the DC FOCUS books, and Gerber’s last GREAT series.  I thank the lucky stars that we all got a chance to join in.

5.  Blue Beetle

Say goodbye to the goofy super-hero.

-The Silver Age Blue Beetle was beloved by JUST enough people to ensure he’d never succeed in his own series.  This series proved you can re-invent for the modern reader and make it work.  Hilty goes stepping into the shoes of Julie Schwartz quite well.  (For other fun re-launch Joan comics, see OMAC PROJECT and MANHUNTER)

3. Birds of Prey

word balloons on a cover! Be still my heart.

-one of the best runs of the series since Dixon and Land started it all.  Joan presided over its re-birth as one of DC’s most fun books after a bit of a lull.  Simone and Benes certainly helped.  Great team, all around.

2.  Batman Adventures, (and related series).

Batman-less Batman at its best.

-People seemed to like this world of stories, so I include them.  I can’t gush too much about the whole enterprise without seeming like a ego-maniac as I wrote about a quarter of ‘em, but let’s point out how wonderful ALL the issues were, not just the ones I grubbed my hands all over.  Dig those crazy Gotham Girls!  And how beautiful were those BATMAN STRIKES covers?

1. LOONEY TUNES

Chuck Jones would be proud

– For years, this was my hands down favorite DC comic, I kid you not.  It was funny, witty, beautifully on-model and in the spirit of the original Termite Terrace, no matter who the writer or artist was.  One of the unsung GREAT DC series that no one read, and making it this consistently good when it was that far under the radar is the proof that Ms. Hilty knew how to do her job.

Honorable mentions:

Along with Looney Tunes, Joan did fantastic work keeping other “toon books” the best they could possibly be for years.  Anyone with an appreciation for this almost lost craft should check out Joan’s high water runs on Krypto the Superdog, Scooby Doo, and Powerpuff Girls.

–On the Road To Perdition

This unexpectedly terrific sequel to the original masterpiece deserves a special mention just for Joan coaxing the legendary Jose Luis Garcia-Lopez into a graphic novel’s worth of new artwork.  Anyone who hires the bizarrely-underused greatest storyteller of a generation gets my thanks.

Way to go, Joan.  You have much to be proud of for your years at DC, and your contribution to comics and art is assured.  See you ’round the funny books.

Ty the Guy OUT!

Here now, your comic book moment of zen

The farcical and the fleeting

NEW PAGES FOR SALE. SKUNKS AND WONDER WOMEN

Well, just A Single Wonder Woman this time out, though there is more than one image of a skunk in this Monday’s new scans of ORIGINAL ART.   The Wonder Woman is from the lovely and aforementioned SUPERMAN AND BATMAN Magazine (a moment of silence for this forgotten hero of publishing….). This was a poster insert (from a series of eight, a different  DC hero in every issue) that ran on the inside STAPLED middle page of the mag.  So WW was the centerfold, so to speak.  And you guys thought Marge Simpson was the only cartoon character to pose for the staple section of a magazine!  Diana did it ALL first.  You know, I’ll bet this, and the Hawkman of last week, would look nice in colour.  I will dig those out for tomorrow, promise.  The WW has some lovely colour, if I recall, and I think I coloured it.

And WOO HOO!  The last of my unsold pages from the Pepe Le Pew story I did with Sam Agro for Looney Tunes Magazine, all going up in the all for sale gallery.  I can’t price ’em, myself.  My wife doesn’t trust me.  (I used to sell Batman Adventures covers for seventy five bucks and my wife smacked me around after I’d sold three or four!).  Sewer Transformer aside, I really like the “wet Pepe” image in the middle of the page.  I couldn’t think of an episode where Pepe got wet, so it was daunting to see if I could make it look “on model” without any reference for that appearance.  I hope I pulled it off.

Is there anything more fun to draw than the Chrysler Building?  Perhaps sewer crocodiles with an eye patch.  And here it is, all in one page?  Sometimes I have a good job.

I got to work in a little “EC” style lettering in the POW! POW! stuff, I notice.  (That last line sounded more like Beat Poetry than I meant it to.)

It was great fun doing the two or three Looney Tunes jobs I did.  The pages with Pussyfoot and Bugs Bunny on ’em are long gone.   I think the Daffy pages are gone too.  C’est la vie!

Ty Le Guy

Busy day today, with classes, a slightly late deadline on something I’m inking, and my family just getting back from Montreal last night, WITH A STALLED CAR ON THE HIGHWAY FOR A FEW HOURS!

I didn’t mean to yell, sorry.